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The production will be inspired by the glorious rag-bag of British-style pantomime and theatrical magic from the Victorian era.

On Simon McBurney’s production of Mozart’s opera at the Met. In a review, productions often have pride of place—this goes double, or triple, for new ones. Singing and playing are afterthoughts. With ...

When it comes to a work that is more than 200 years old, it’s hard to imagine there’s any surprises left. But if you happen to find yourself with a ticket to the Seattle Opera performance of Mozart’s ...

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook The Cleveland Orchestra’s staging of Mozart’s “The Magic Flute” was a reminder that ensembles can help fill the gap as opera grows ...

Mozart’s “The Magic Flute,” performed by Cal State Fullerton’s College of the Arts Opera, opened Friday. In the two-act opera, Prince Tamino and the bird-catcher Papageno journey to rescue Pamina.

THE MAGIC FLUTE, an opera by Mozart with spoken dialog, shortened and sung in English with projected subtitles, conducted by JoAnn Falletta, stage directed by Paul Mockovak and Julie Newell, with Adam ...

CLEVELAND, Ohio – The first time Austrian theater and opera director Nikolaus Habjan heard “The Magic Flute,” at age 4, he was smitten, transfixed. He was a busy, restless child, but when he ...

“The Magic Flute” has enchanted audiences ever since it opened in 1791, just months before Mozart’s untimely death. On the surface, “Flute” is a fairy tale about a prince who sets out to rescue a ...

Although the Dallas Opera hasn't raised a curtain since mid-March, the company is maintaining a robust online presence. The Dallas Opera Network, which was created in response to the coronavirus ...